Almost nothing. Just enough. A single mark in the lower third — warm grey on cream — that makes the silence above it feel intentional rather than empty.
Still No.2 is for the wall that has been waiting for something that doesn't announce itself. The mark is barely there from across the room. Up close, the brushwork is visible — horizontal strokes that fade at both ends, darkest and most present at the centre.
For bedrooms, quiet rooms, and spaces where the art should feel like a breath rather than a statement. The piece people stand in front of and say nothing — which is exactly the right response.